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Edward Matthew Hale (British, 1852-1924)

Edward Matthew Hale (British, 1852-1924), English Victorian Romanticist artist. Framed Size: 21 3/4 x 15 3/4 inches

A genre painter, Edward Hale lived in London and Godalming. He studied in Paris from 1873-75 with Alexander Cabanel and Carolus-Duran, and from 1877-78 he worked as a war artist for the Illustrated London News with the Russian Army, and later in Afghanistan.

Most of his genre scenes are of army life, or the sea. Two works are in Leeds. He exhibited at the Royal Academy, Society of British Artists, Grosvener Gallery, New Gallery and elsewhere.


Edward Robert Hughes (British, 1851-1914)

Edward Robert Hughes RWS (5 November 1851 – 23 April 1914) was an English painter who worked prominently in watercolors, but also produced a number of significant oil paintings. He was influenced by his uncle and eminent Pre-Raphaelite Brotherhood artist, Arthur Hughes, and worked closely with one of the Brotherhood’s founders, William Holman Hunt.

Having settled on his career choice, Edward Robert Hughes attended Heatherley’s in London to prepare himself for the chance of auditioning for the Royal Academy School. Hughes became a student at the Royal Academy School in 1868. While Pre-Raphaelitism played an influential part in shaping Hughes work, Aestheticism is also seen in his paintings.

E.R.Hughes is widely known for his works Midsummer Eve and Night With Her Train of Stars yet he built a career as a portrait painter to the upper classes.

In addition to being an accomplished artist himself, E.R.Hughes was also a studio assistant to the elder artist and Pre-Raphaelite Brotherhood founding member William Holman Hunt when Hunt suffered from glaucoma. Two of the paintings that Hughes worked on with Hunt were The Light of the World, which is displayed in St Paul’s Cathedral, and The Lady of Shalott, which is exhibited at the Wadsworth Atheneum.

On his own he experimented with ambitious techniques and was a perfectionist; he did numerous studies for many of his paintings, some of which turned out to be good enough for exhibition.

Hughes held several important offices within the artistic community over his lifetime such as becoming a member of the Art Workers Guild in 1888, and was on their committee from 1895 to 1897. He was elected to Associate Membership of The Royal Water Color Society (ARWS) on 18 February 1891, and he chose as his diploma work for election to full membership a mystical piece (Oh, What’s That in the Hollow?) inspired by a verse by Christina Rossetti Amor Mundi. His painting entitled A Witch was given by the Royal Watercolor Society to King Edward VII and Queen Alexandra to mark the coronation in 1902. In later years Hughes served as the Vice-President of the RWS before leaving in 1903. Throughout his career, E.R.Hughes exhibited his works in several galleries around London: Dudley GalleryGrosvenor GalleryNew GalleryThe Royal Academy, and toward the end of his career he exhibited with The Royal Society of Painters in Water Colors (RWS).

His works can be seen in public collections including Bradford Museums and GalleriesCambridge & County Folk MuseumMaidstone Museum & Art GalleryBruce Castle Museum, Kensington & Chelsea Local Studies, Birmingham Museum and Art Gallery, the Ashmolean Museum, Oxford, the Harris Museum & Art Gallery, Preston, and the National Trust for Scotland.

Birmingham Museums Trust staged a retrospective exhibition, Enchanted Dreams: The Pre-Raphaelite Art of E.R. Hughes, from 17 October 2015 to 21 February 2016 at Birmingham Museum and Art Gallery.


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About The Curator

Carol Seelig Eastman is the Executive Director and Chief Curator of The Knohl Collection. In this role, she passionately explores the artist’s personal, social, and political world and places their art in a meaningful historical context. Her thematic exhibitions provide visual and educational stimulation that attract and engage a diverse museum audience.